On an unassuming Tuesday night in a dimly lit bar, its wood-panelled walls lined with candles and its ceiling with festive light bulbs emitting a soft, golden-brown hue, a familiar tune
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We’ve been to a lot of concerts. You may not know our names, but if you’ve been to a show in Toronto, you’ve probably seen us in line
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Instilled with paralyzing fear by a future no less uncertain than it was four years prior, and also by the realization that I’d let opportunity after opportunity fly by
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I like to start these pieces by revisiting old stories. They make the present seem so much more formidable. As of writing this, I’m in the running for the best attendance record at
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We’ve been working on this for a long time. Maybe not in this shape or form, but the seeds were always there.
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With all the great music being created, we want to hear from you. Let’s start a conversation.
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The lighting illuminates the hall with various hues of purple, pink, and blue; the mood is reminiscent of 70’s Harlem, which Just John and his team have revived at the Gladstone
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After Googling the address sent to me, I knew this would be the latest in a series of instances where The Sorority would subvert stereotypes. The video was shot in
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We had the opportunity to sit down and speak with Stretch, a spoken-word-artist-turned-rapper hailing from the underrepresented streets of Scarborough; and Abel Lulseged, producer on Stretch’s debut album and founder of Soundstock
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Daniel Caesar has come a long way. Shortly after the release of his latest project, Freudian, the accolades started rolling in; widespread acclaim for the album, an opportunity to headline five nights at Danforth Music Hall
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